A parody of Henrệ Rousseau’s (1844-1910) Jungle series of paintings. The lagoon is an imaginary place of dense dark jungle; the stillness of dusk across the lagoon, the brightness of the moon, all conveys a calm anticipation of the coming night. Medium:
Marquetry using 17 different veneers including bolivar, birdseye,
burrs, ripple anegre, koto and sycamore. This detail
shows ‘sand shading’ used to create depth to the image. Dipping
individual veneer shapes into hot sand, scorching the surface,
creates this effect. “His is the simple and yet incredible story of an unworldly ‘petit bourgeois’ who painted in an introverted, almost autistic manner. He himself cannot have been fully aware of what he was doing; and in art as in life remained gullible and naive to the end.”
Rousseau was a late starter to painting, having been a Toll Gate Keeper to Paris until his 40th year. His paintings convey a naivety that is captivating. In 1891 he shocked and scandalised the art scene in Paris with his first jungle painting ‘surprise’. An imaginary ‘ cut out tiger’ stalks across an imaginary wild jungle, his prey unseen, the scene beaten by gale driven rain. This raging image was to be the first of 26 pictures in the Jungle cabinet series to follow this theme (1904-1910).
“…….each
successive picture shows some further advance in quality of
composition and imagination. Cane, oak, eucalyptus, lilac and banana
plant, sanseviera, fern, palm, cactus and agaves provide unending
multiplicity of form. |